EXHIBITION NUMBER 8

c3 opens its new show on: Wednesday, March 4th from 6 - 8 pm

 

Exhibition runs: March 4th - 22nd

Artist talks on Saturday 7th March at 2pm.

Gallery 1

Order/Disorder

Hamish Carr - Kat Clarke - Wanda Gillespie - Jess Hall - Lucy Irvine - Kotoe Ishii

Helen Johnson - Dong Woo Kang - Andrew Liversidge - Greg Penn - Thea Rechner

Anthony Sawrey - Michelle Tran

 

Order/Disorder is an experimental exploration into a common thread of a disparate group of artists.

Each artist was asked to write three words to describe their practice.

From this process we identified recurring themes, the most common being order and disorder.

Oddly enough, our process itself for finding a unifying theme as a group, re-stated the predominant theme

order/disorder in its execution.

Responding in a range of media, each artist explores shifting states of reality and thought provoking

subject matter to challenge the viewer in a time of chaos and new world orders.


All artists are currently undertaking Masters of Fine Art by Research at VCA.


Gallery 2

Rhythm Code

Kent Wilson

Rhythm Code is an installation that explores the relationship between nature and culture.

Taking a more participatory approach to art making, the work assembles a collective garden of pot plants, each donated by a volunteer, together with a symphonic ensemble of vocal humming, consisting of a tonal note sampled from each volunteer participant.

The collective nature of the work is designed to hint at the networked pattern of both the natural environment, as ecosystem, and the cultural environment, as society.

Mediated by a technological composition Rhythm Code asks whether our cultural forms can serve to illuminate a new understanding of nature and whether our engagements with nature can inform our understanding of our current cultural constructions.


Gallery 3

GROW UP

Sylvia Jeffriess and Rosie Kavanavoch

Sylvia Jeffriess and Rosie Kavanavoch present GROW UP, a two-man show focussing on the vacuous nature of the cliche.

Jeffriess comic style grotesquesness bound together with visual and textual inuendos steam up alongside Rosie's rocket-fuelled collages, and signature visual backdrops that seem forever submerged in their own autobiography!

Arm in arm they come together to what...?

To generate activity, to elaborate on the concept of individual power and their collective force of art, its alluring benefits, temptations and somewhat rocky marriage.

Artist talks this Saturday (14th) at 2pm

EXHIBITION NUMBER 7

Exhibition opened on Wednesday the 4th of February
Runs until Sunday 22nd of February
Artist talk on Saturday 14th at 2pm

Gallery 1 – Space B

Colour Accord – Contemporary Jewellery

Banana Bowery – Jill Hermans – Deidre Hoban

Phillipa Knack – Felicity Large – Julian Loxton – Regina Middleton

Carole Moffat – Nicole Oostwoud – Lauren Raso – Jasmine Targett

Group show of jewellery and small scale sculpture that brings together a diverse group of

artists connected by their use of colour. Seemingly different styles and sensibilities come

together to demonstrate the binding influence of colour.


Gallery 1 Project Room

Wanderlust

Rachel Feery and Alanna Lorenzon

Rachel and Alanna probe the outer limits of the known universe with their

pseudo science installation piece, Wanderlust. Stickers, diagrams, text, glitter, glue and fabric

come together in a cosmological explosion of childish exuberance.


Gallery 1 Space A

The Grandfather Paradox

Georgina Campbell

Campbell’s work has always been concerned with the strange and unusual.

Weird science, mind powers, antique medical procedures and a fascination with the

dark and sinister have appeared like recurring characters throughout much of her work.


Gallery 2

Odalisque

Bernadette Keys

At least one third of our lives is spent in bed. 

It is the site for birth, death, sex, dreams, rest, insomnia, nightmares, thought,

conversation, infirmary, intimacy and peace.

Bernadette Keys video installation is both an ironic take on the tradition of the reclining nude (Odalisque) in art

and a commentary on the impact of screen technology in the 21st century.


 

Gallery 3

Silent Past

Micheal Carver

Silent Past is a glimpse into the history of the unnoccupied buildings at the Abbotsford Convent.

The images were all shot on a large format camera to preserve the attention to detail that went into the site when it was in operation. After admiring the architecture and marvelling at the historical significance, most of the spaces only seem to evoke thoughts of what the occupants where there for and if choice was something they had.